Welcome back to Roger Pretzel’s Haunted Dungeon. In this spooky sanctum I’ve poured over all the replay tape to come up with my favorite NFL play of the week. Then it’s straight back to the projector to unspool a film you may have not been aware of…
The lights have dimmed, the voodoo dolls pierced, and the walls drip with blood.
Week 10 Twofer: LeGarrette Blount VS. Kam Chancellor
Sunday Night Football’s rematch of Super Bowl XLIX was a real treat, with both teams showing off what they do best. The game-ending goal line stand by Seattle was awe-inspiring, but we only got to that point because of New England’s well oiled offense and champion caliber determination.
We’re doing a twofer this week with a couple of highlights during the game that featured both my favorite players from each team: LeGarrette Blount in New England, and Kam Chancellor in Seattle.
— Binge Sports (@BingeSports) November 14, 2016
There are few backs in league you’d want more in short distance red zone situations than LeGarrette Blount. After his floundering days in Tampa Bay, he’s blossomed under Belichick’s undeniable genius. This power run works like a surfer riding a wave, as Blount and the Pats o-line keep riding out a powerful but finite Seattle push along a horizontal trajectory towards the goal line that finally peters out, allowing Blount to push through. Kam Chancellor, a guy I consider the best safety in the league, gets in on the act pushing sideways against Blount, but it’s too little too late as New England takes a big go-ahead touchdown on a play that epitomizes the very best of both downhill offense and defense in the NFL.
Come the end of the game, we’re in a similar situation, and why wouldn’t you give it to Blount again? Because of number 31: Kam Chancellor. Nothing wrong with Blount going up and over to try and break the plane, and damned if he wasn’t close, but Chancellor comes in from the side again and grabs the New England back around the knees, tugging him back the few inches necessary to prevent a TD.
Like so many plays in a league full of lighting quick dudes, the actual play didn’t look like much besides a strong goal-line stand, but watching Chancellor do what he does in glorious slow-motion is just amazing. Every play in that final New-England-knocking-at-the-door series was notable, but Chancellor’s stop on Blount was a stark exhibition of how remarkable these NFL payers really are.
Week 10: Gutterballs
Director: Ryan Nicholson
Here’s another genuinely awful one for the hardcore sickos out there. Canuck director, Ryan Nicholson, began his career as an SFX makeup artist for horror/sci-fi/fantasy television and films, and like many folks toiling away in different stations of the entertainment industry, he wanted to make his own flicks, and went the DIY route by founding his own company, Plotdigger Films.
Nicholson’s tastes definitely tend towards the tasteless, and I’ve only managed to make it through three Plotdigger productions, giving up after this movie’s follow-up, the truly reprehensible and nauseating “Hanger” (2009), about a disfigured back-alley-dumpster-baby abortion survivor who goes on to seek vengeance.
This one’s plot actually becomes quite convoluted as it progresses but the basic premise revolves around a group of kids sneaking into a bowling alley after-hours to compete in a tournament over the course of two nights that devolves into a skin-crawling rape scene and later a whole host of creative murders by a mysterious killer with a bowling ball bag atop his/her melon.
While this is a truly balls-out exercise in extreme cinema, it does harken back in large part to the 80’s slasher movie with its direct-to-video feel and atrociously obnoxious cast of what appear to be 30-somethings playing potty mouthed teens.
Hack ‘n slash is the name of the game here and Nicholson does a dandy job of spicing up the kills with a blend of the ghastly and amusing. The two most memorable set pieces involve murder by sixty-nine sex position (suffocation via genitals!), and a decapitation by shotgun that is remarkable from a technical standpoint.
Like I said, I’ve only made it through a few of Nicholson’s films , eventually giving up after the trashy and utterly sadistic tone became too much even for my depraved constitution.
This trailer does the film no justice but it is the best I could find:
And an example of what you’re in for with one of the film’s kill scenes:
Rental available on Netflix (DVD only). Cheap DVDs available on Amazon.