Welcome back to Roger Pretzel’s Haunted Dungeon. In this spooky sanctum I’ve poured over all the replay tape to come up with my favorite NFL play of the week. Then it’s straight back to the projector to unspool a film you may have not been aware of…
The lights have dimmed, the remains have been entombed, and the storm rages outside.
Week 6: Bernardrick McKinney Clobbers Andrew Lunch on Third Down in OT
— Nathan Crace, ASGCA (@lipouts) October 17, 2016
How about that Houston comeback on Sunday Night Football? To be fair, it may have been more of an Indianapolis meltdown but there were still a solid handful of brilliant plays executed by the Texans’ defense. My favorite came at a critical moment in overtime with only three yards to go on a third down when Bernardrick McKinney shot the gap and put Andrew Luck into the turf.
Both defensive ends Jadeveon Clowney and Whitney Mercilus come flying off their marks in a pincer attack that opens up a huge hole for Bernardrick McKinney to fly through. That D line is scary even without J.J. Watt. So much so that even with a struggling Brock Osweiler the Texans currently sit atop of the AFC South.
And while Jadeveon Clowney and Whitney Mercilus are definitely two of my favorite football names, Bernardrick McKinney ain’t so bad either.
Week 6: Hard To Be A God
Director: Aleksey German
It’s hard for me to overstate how mind-blowing this movie is. Really. It was the hot ticket for the art-house set when it became available stateside, but I remain surprised that it didn’t find a broader audience.
Based on a Russian sci-fi novel in which a group of cosmonauts live on a planet identical to earth except that it’s trapped 800 years in the past in a permanent state of dark ages, the plotting is nearly impossible to follow and frankly the film is all the richer for it.
Comprised mostly of long takes with a constantly roving camera (albeit at a leisurely clip) the viewer is treated to a meticulously detailed world of filth and a parade of human grotesques spewing all manner of bodily fluids amongst the pervasive mud, grime, and ash. The wide angle black and white photography is revelatory in capturing all the ugliness humanity has to offer.
Shot in fits and starts from 2000 to 2006, and involving several more years of post-production with its director in failing health, this singular film has an idiosyncratic production history as well with German’s (pronounced Grrr-man, not Jer-man) wife and son putting the finishing touches on his messy swan song.
With it’s near incoherence and three-hour running time it’s a challenging view, but every minute is worth it. Catch this carnal and visceral masterpiece of flying snot-rockets and dribbling slave piss as soon as you can.
I implore you to watch the trailer here:
Currently streaming on Netflix! Go now! Also available for rental on Amazon and itunes.