Welcome back to Roger Pretzel’s Haunted Dungeon. In this spooky sanctum, I’ve poured over all the replay tape to come up with my favorite NFL play of the week. Then it’s straight back to the projector to unspool a film you may have not been aware of…
The lights have dimmed, the knives are sharpened, and horrors lurk amongst the shadows.
Divisional Playoffs: Matt Ryan to Devonta Freeman For Huge Gain
— NFL (@NFL) January 14, 2017
Enough with the heartbreaker history spiel: it looks like the Falcons have finally become the real deal. And while it sounds a bit crazy, I’m actually favoring them over the Pack for Sunday’s NFC championship tilt. They’re Super Bowl worthy when the defense steps up and we all know what this offense can do…
Two times on this play Seattle’s defense ends up chasing ghosts with a blitz attempt in which Matt Ryan drops back expertly and releases the ball off a back-foot throw while under respectable pressure from three Seattle linemen. When I saw the play live, I thought “Matty Ice” had gotten lucky on an ugly throw, but seen in replay that ball looks downright gorgeous.
After the catch, Freeman loses Bobby Wagner and cuts, causing safety Steven Terrell to lose his footing. The Falcons star back resembles a steam locomotive off the rails as he careens downfield with a burned Seattle secondary in hot pursuit. It’s actually a bit impressive that Kam Chancellor and DeAndre Elliott were able to catch up to him and prevent the TD. Do Atlanta fans dare get their hopes up? That’s for them to decide, but this was certainly a decisive victory.
Divisional Playoffs: The Green Slime
Director: Kinji Fukasaku
In this tantalizingly titled offering, east meets west in a joint effort by Metro Goldwyn-Mayer and Japanese studio, The Toei Company. Directed by Kinji Fukasaku, who is best known today for The Hunger Games predictor Battle Royale (2000), and the Battles Without Honor and Humanity series, in which Yakuza gangsters fight it out down and dirty in a postwar Hiroshima. The film was shot with a predominantly Japanese crew and American and European cast.
This unusual historical collaboration is nothing compared to how strange the picture is, however. While there’s plenty of corn to be had with the intended demographic solidly resting with the kiddie-matinee crowd, this is far from your average penny-pinching sci-fi cheapie. There’s lots of Japanese styled miniature special effects, some truly trippy extra-terrestrial habitats, and a whole gang of rubber-suited monsters.
Amusingly enough, the plot itself is somewhat similar to Alien (1979) with the titular menace becoming an unknown stowaway on an interstellar aircraft that grows and mutates into a horde of crimson-eyed Cyclops, with wildly waving tentacles that shoot lasers. Certainly a little different aesthetically from H.R. Giger’s sleek and horrific creature design, but just as malevolent.
It should go without saying that the visuals and frenzied tone are The Green Slime’s real charms but the just-adequate acting and hoary old love triangle plot add just enough human interest to keep one engaged in the haggard Troy McClure-esque alpha males duking it out over the leading lady.
The manic balls-to-the-wall zaniness of the picture is also amplified by a groovy theme song courtesy of Richard Delvy, in a tune that’s equal parts, catchy, fun, and terrible.
Dig that slimy trailer:
Your new favorite B-flick theme song:
Full movie (cropped) here. DVDs available on Amazon.
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